AND LEAVE THE DRIVING TO US by Paul Shipp and Steve Larsen

October 1991 - ACME Theatricks co-production, New City Theater

A play in one-act, at once tribute and spoof of the B-grade horror movies of the 1960s and 70s. Can a Greyhound bus driver find happiness en route from Spokane to Seattle? Just don't cross him, or you may end up as the main course at the bus stop café.

Special attraction: a preview performance of THE ODDFELLOWS MOON CONSPIRACY by Stuart Ostfeld.

Men in Black PosterMEN IN BLACK by The ACME Ensemble

March/April 1991 - ACME Theatricks Production, Seattle Mime Theatre
and
January 1991 - 1st Annual Seattle Fringe Theater Festival, Oddfellows Hall

This funny, paranoid fantasy chronicles the adventures of Randall Davenport, a naïve astronaut wanna-be, as he confronts the phenomenon known to UFO folklorists as "men in black." On the heels of UFO sightings, Americans from all walks of life have reported threatening visitations from men dressed in dark suits. Witnesses and students of the supernatural disagree on the origins and intentions of these odd strangers. Are they aliens from outer space masquerading as humans? Are they government agents seeking seemingly insignificant information from ordinary citizens? Or are they merely products of anxiety-ridden imaginations in an anxiety-ridden nation? Whoever they are, what would it be like to work for them?

The script of MEN IN BLACK was created through a series of improvisations by the performers, most of whom are veterans of past ACME productions

.Carrot Top

"Leave him alone Can't you see he's a... VEGETAB:LE?!" - Final Scene, Men In Black

PAST TENSE by Nora Douglass, Stuart Ostfeld, and David Golden

1990 - ACME Theatricks Production, Seattle Mime Theatre

An evening of three one-act plays.

DANCING LESSON by Nora Douglass
A young woman competes with big band music and lots of bubbly for her parents' attention.

CLUBHOUSE RULES by David Golden
A trip home for a high-school reunion brings two former sweethearts together.

RERUNS by Stuart Ostfeld
A washed-up T.V. western star can't let go of the glory days.